目录
1、边城小镇高清完整版下载2、湖南的茶峒和凤凰是两个地方吗？为什么沈从文先生《边城》中写的是茶峒，出名的却是凤凰呢？
3、边城为什么以川湘交界的边城小镇茶峒为背景
4、边城小镇 BORDERTOWN怎么样
5、《边城》中的边城在哪里？
6、《边城》是如何展现小城的善与美的？
7、《边城》讲的是哪个地方发生的故事?
8、求电影《边城小镇》英文台词
9、沈从文<边城>，作者写这样一个世外桃源式的乡村社会，有怎样的思想背景？他想寻求怎样的理想社会模式？
1、边城小镇高清完整版下载
边城小镇_1.mp4
2、 湖南的茶峒和凤凰是两个地方吗？为什么沈从文先生《边城》中写的是茶峒，出名的却是凤凰呢？
茶峒和凤凰是两个不同的地方，都位于湖南省湘西土家族苗族自治州。
边城茶峒即湖南省湘西州花垣县边城镇，原名茶峒， 地处湘黔渝三省交界处，2005年茶峒正式更名为边城镇。文学大师沈从文先生的著名中篇小说《边城》中描写的正是边城茶峒。
凤凰古城位于凤凰县，建于清康熙四十三年〔1704年〕。是文学大师沈从文先生的故乡。这也是很多人误以为《边城》中指的是凤凰的原因。
《边城》中描述的湘西州人间仙境人美景和纯朴的人性美让无数人向往。很多人怀着对沈从文先生的崇敬和对湘西美好风土人情的无比向往来到凤凰古城，就被这里美好风光和人文迷住，凤凰也就此被人所知，声名大噪！而边城茶峒地理位置相对偏远，交通不便，很多人也并没有真正读过《边城》这本小说，只是慕凤凰之名而来，所以边城茶峒反而不太为人所知。
3、边城为什么以川湘交界的边城小镇茶峒为背景
因为沈从文家乡在那里，很熟悉，而且只有那样的地方，才有那般纯的人
4、边城小镇 BORDERTOWN怎么样
电影根据墨西哥边境小城的真实罪恶案件改编。所以凝集了无数个少女工人的形象同惨案。只是，电影的叙事方式令惨案中的少女有了太多美好的遭遇，譬如灰姑娘般住进大宅。还有女记者的职业遭遇，故显得像女性探险的惊悚电影。而不是记实，震撼的作品。 很多我期待的镜头，譬如工厂如何作业，女工如何枯燥劳作消耗青春，边陲赤裸裸的犯罪同落后，都被轻描淡写。特别是女主角，那个漂亮有色人种的少女，描述她生活同工作的背..… []
5、《边城》中的边城在哪里？
《边城》中的边城----位于湖南省花垣县西北部，距县城25公里，与贵州省松桃县的迓驾镇和重庆市秀山县的洪安镇隔河相望，自古就有“一脚踏三省”的美誉，是湖南省的西北大门和湘西四大闻名古镇之一。
边城镇原名茶峒镇，2005年7月改为边城镇，以沈从文所写《边城》小说名称命名。因为沈从文是凤凰人，很多人误以为其在凤凰县。
“由四川过湖南去，靠东有一条官路。这官路将近湘西边境到了一个地方名为茶峒的小山城时，有一小溪，溪边有座白色小塔，塔下住了一户单独的人家。这人家只一个老人，一个女孩子，一只黄狗。”
——沈从文《边城》
6、《边城》是如何展现小城的善与美的？
《边城》是沈从文先生最重要的一部代表性作品，曾入选了20 世纪中文小说前100 强。《边城》以茶峒这一川湘交界处的边城小镇为创作背景，作者用诗意的语言描绘了湘西地区的风土人情，并通过对船家少女翠翠的纯爱故事的描述来展现人性所具有的善良与美好。但透过这种善与美，我们却能够感受到一种隐藏的忧伤，而也正是这种忧伤，成就了《边城》作为文学作品的不朽的艺术价值，并为我们所铭记。
《边城》在一开始便为我们描绘了一个风光旖旎、绚丽多彩的湘西世界，一座远离尘嚣、依山傍水、和平安详的边城小镇，从这里我们不难看出，沈从文先生所营造的就是令世人往的一个世外桃源。
而边城的美，绝不仅仅来自于世外桃源表面所呈现出来的青山绿水，更多的是来自于这个边城小镇中的淳朴民风。《边城》中所塑造的人物角色大多都是“善”与“美”的化身。这些人物的祖祖辈辈都生活在充满了灵秀山水的湘西世界当中，一代代地将“做人”的美德传承下去。在这个世界里，有忠于职守的老船夫，不仅不收过河人的一分钱，要是遇到那些条件实在差的乡亲，还会自己掏钱买烟买茶来招待他们；作为船总的顺顺，潇洒大方，体恤穷人，既慷慨又能救人所急；船总的两个儿子——大佬天保和二老傩送虽都如老虎般结实，但都何其亲人，不浮华，不侨情，更不会仗势欺人。在我看来，《边城》中最令人怜爱的当属那个情如清流且眸如水晶的少女翠翠，小说对翠翠的描写是这样的：“翠翠在风日里长养着，把她的皮肤变得黑黑的，触目为青山绿水，一双眸子清亮如水晶……”作为自然之子的翠翠，就好像深山涧中流出来的一泓清泉一样，没有受过任何现代文明的污染，从始至终都保持着纯洁与透明。
在湘西世界这个民风淳朴又恍如世外桃源的茶峒小城当中，自然美和人性美呈现出一种和谐统一、相得益彰的状态，让作为读者的我们在无时无刻不接受到美与善的洗礼和陶冶。因此可说，《边城》是证明人性皆美皆善的不朽杰作。
7、《边城》讲的是哪个地方发生的故事?
《边城》是沈从文小说的代表作，是我国文学史上一部优秀的抒发乡土情怀的中篇小说。它以20世纪30年代川湘 交界的边城小镇茶峒为背景，以兼具抒情诗和小品文的优美笔触，描绘了湘西边地特有的风土人情；借船家少女翠翠的爱情悲剧，凸显出了人性的善良美好与心灵的澄澈纯净。它以独特的艺术魅力，生动的乡土风情吸引了众多海内外的读者，也奠定了《边城》在中国现代文学史上的特殊地位。
8、求电影《边城小镇》英文台词
自己去射手网shooter.cn下个字幕吧,用TXT文档打开就是.
给你贴出一部分吧..
1
00:01:11,237 --> 00:01:14,641
More murders in Juarez!
2
00:01:14,641 --> 00:01:17,872
Juarez terrorized
by wave of killings!
3
00:01:21,281 --> 00:01:24,876
Three more womens' bodies found!
4
00:01:31,324 --> 00:01:33,960
More murders in Juarez!
5
00:01:33,960 --> 00:01:36,663
Juarez terrorized
by wave of killings!
6
00:01:36,663 --> 00:01:40,066
Three more womens' bodies found!
7
00:01:40,066 --> 00:01:43,263
Get the truth,
read about it in El Sol.
8
00:02:06,259 --> 00:02:08,194
MORE MURDERS IN JUAREZ!
9
00:02:08,194 --> 00:02:12,599
Out of the way!
Confiscate all these newspapers!
10
00:02:12,599 --> 00:02:16,336
Get all this trash out of here!
11
00:02:16,336 --> 00:02:19,999
Move it! Take it all!
12
00:02:50,303 --> 00:02:53,670
The first shift is now ending.
13
00:03:07,620 --> 00:03:10,680
Thank goodness we're done.
I'm so tired.
14
00:03:18,298 --> 00:03:21,000
I have to go downtown
to buy my sister a gift.
15
00:03:21,000 --> 00:03:23,136
What are you going to get her?
16
00:03:23,136 --> 00:03:26,071
A doll.
17
00:04:09,749 --> 00:04:16,856
- How much for the doll?
- Twenty. I have different colors.
18
00:04:16,856 --> 00:04:19,791
- Will you take less?
- Fifteen.
19
00:04:21,961 --> 00:04:23,428
Fine. I'll take it.
20
00:04:55,728 --> 00:04:56,786
Stop!
21
00:05:00,233 --> 00:05:03,760
- Are you going to Colonia Anapara?
- Yes. Have a seat.
22
00:05:37,437 --> 00:05:39,962
Do you mind if I get some gas?
23
00:05:40,573 --> 00:05:42,097
No, that's okay.
24
00:05:42,542 --> 00:05:43,839
Yes.
25
00:06:16,075 --> 00:06:18,407
There is no gas station.
26
00:06:18,845 --> 00:06:22,212
Everything is alright.
Don't be afraid.
27
00:06:42,001 --> 00:06:44,401
Stop! I don't want
to have to kill you!
28
00:06:55,982 --> 00:06:58,849
Help me, please! Help me!
29
00:08:11,924 --> 00:08:13,192
Over the last few years...
30
00:08:13,192 --> 00:08:16,329
375 Mexican women
have been raped and murdered.
31
00:08:16,329 --> 00:08:20,032
An additional 700 Mexican women
are still missing.
32
00:08:20,032 --> 00:08:23,024
No one knows who,
no one knows why.
33
00:08:23,336 --> 00:08:24,971
You wanna find out?
34
00:08:24,971 --> 00:08:28,241
- Nobody gives a shit about Mexico.
- Lf you give a shit, they will.
35
00:08:28,241 --> 00:08:30,610
- Okay!
- Just get to the heart of the story!
36
00:08:30,610 --> 00:08:32,612
You used to work
for the El Paso Courier, right?
37
00:08:32,612 --> 00:08:34,747
- What does that have to do with it?
- You speak enough Spanish.
38
00:08:34,747 --> 00:08:37,016
I don't speak Spanish.
I don't know anything about Mexico.
39
00:08:37,016 --> 00:08:39,218
- What was the name of your partner?
- Diaz.
40
00:08:39,218 --> 00:08:41,554
Alfonso Diaz. You guys
were wonderful together.
41
00:08:41,554 --> 00:08:44,957
You won the JFK medal, right?
I'm really trying to help you out.
42
00:08:44,957 --> 00:08:48,461
- But you're so goddamned mighty!
- All right!
43
00:08:48,461 --> 00:08:50,496
I'll do it. But when I do...
44
00:08:50,496 --> 00:08:53,021
I want the foreign
correspondence job. Deal?
45
00:08:54,600 --> 00:08:55,965
Yeah, why not?
46
00:08:56,769 --> 00:08:58,464
I'll leave tonight.
47
00:11:00,693 --> 00:11:02,661
Ma'am? We've arrived.
48
00:11:14,407 --> 00:11:16,175
How are you, Lauren?
This is Frank.
49
00:11:16,175 --> 00:11:19,145
- Hey, Frank.
- I thought I'd give you the heads-up.
50
00:11:19,145 --> 00:11:21,180
George is looking for you.
He's pissed.
51
00:11:21,180 --> 00:11:23,382
You were supposed to call him
the second you landed in Juarez.
52
00:11:23,382 --> 00:11:26,112
Hope you're having a blast down there.
Hold on for Frank.
53
00:11:27,153 --> 00:11:29,121
What the hell is going on?
54
00:11:29,121 --> 00:11:32,491
George. Did you know that they are
claiming that the murders are solved?
55
00:11:32,491 --> 00:11:37,724
The police have some guy in custody.
Some Egyptian guy. His name is...
56
00:11:38,330 --> 00:11:39,899
Al-Awar.
57
00:11:39,899 --> 00:11:44,503
It's bullshit. It's different
patterns with the different victims.
58
00:11:44,503 --> 00:11:46,305
Some are strangled
with shoelaces.
59
00:11:46,305 --> 00:11:49,241
Others have bite marks
on their breasts.
60
00:11:49,241 --> 00:11:51,844
- You know, it's not anything.
- It sounds you're onto something...
61
00:11:51,844 --> 00:11:55,881
Don't forget what you promised me.
I want the foreign correspondent job.
62
00:11:55,881 --> 00:11:59,251
One job at a time, kid.
You stay focused.
63
00:11:59,251 --> 00:12:01,219
We'll talk about it
when you get home.
64
00:12:57,343 --> 00:13:01,280
Hi, can I speak
to Alfonso Diaz, please?
65
00:13:01,280 --> 00:13:03,475
This is the Chicago Sentinel.
66
00:13:09,388 --> 00:13:11,720
- Diaz?
- Who's this?
67
00:13:14,794 --> 00:13:16,352
This is Lauren.
68
00:13:16,829 --> 00:13:20,196
Lauren Adrian?
Remember?
69
00:13:21,267 --> 00:13:23,235
- Lauren?
- Yeah.
70
00:13:23,235 --> 00:13:26,227
I mean, it can't be.
71
00:13:26,605 --> 00:13:29,301
Where are you calling from?
Chicago?
72
00:13:31,243 --> 00:13:33,302
Actually I'm here.
73
00:13:35,314 --> 00:13:36,804
I'm in Juarez.
74
00:14:16,755 --> 00:14:17,847
My...
75
00:14:18,357 --> 00:14:19,289
Fuck.
76
00:14:30,669 --> 00:14:33,339
Excuse me? Excuse me?
77
00:14:33,339 --> 00:14:35,534
Lotte Bravo?
78
00:14:37,009 --> 00:14:39,671
Straight? Okay.
Gracias.
79
00:15:21,086 --> 00:15:23,418
Lauren? Is that you?
80
00:15:24,490 --> 00:15:25,616
It's me.
81
00:15:27,760 --> 00:15:28,852
It's you.
82
00:15:31,096 --> 00:15:32,598
I can't believe it.
83
00:15:32,598 --> 00:15:35,726
- You look good.
- You look good, too.
84
00:15:36,735 --> 00:15:40,372
I was surprised when you called.
I thought I'd never see you again.
85
00:15:40,372 --> 00:15:45,400
Maybe you're on CNN
and not here in Juarez.
86
00:15:45,711 --> 00:15:47,611
It has been a long time,
hasn't it?
87
00:15:54,386 --> 00:15:56,989
- What are they doing?
- They're looking for bodies.
88
00:15:56,989 --> 00:15:58,490
Their daughters.
89
00:15:58,490 --> 00:16:02,127
They're the only ones who can find
bodies. Police didn't find anything.
90
00:16:02,127 --> 00:16:05,764
Authorities, well, they're trying
to cover the whole thing up.
91
00:16:05,764 --> 00:16:07,732
- Yeah.
- Anyway.
92
00:16:08,600 --> 00:16:09,828
What are you doing here?
93
00:16:12,071 --> 00:16:14,540
I'm doing a story on the murders.
94
00:16:14,540 --> 00:16:16,041
- There's always a story with you.
- It's not like that.
95
00:16:16,041 --> 00:16:19,411
- Yeah, you always want something.
- I don't want anything.
96
00:16:19,411 --> 00:16:22,214
It's something that I think
we need to do, together.
97
00:16:22,214 --> 00:16:24,478
- I gotta go and find these pictures.
- Come on.
98
00:16:26,418 --> 00:16:28,010
Team up with me.
99
00:16:28,954 --> 00:16:31,479
It'll be like old times.
100
00:16:32,057 --> 00:16:33,422
Old times?
101
00:16:35,627 --> 00:16:37,686
That is exactly
what I want to avoid.
102
00:16:42,434 --> 00:16:43,458
Shit.
103
00:16:45,771 --> 00:16:46,931
Diaz!
104
00:16:52,077 --> 00:16:56,741
You have to do something.
Her killers will come back for her.
105
00:16:57,116 --> 00:17:00,449
People know about this.
You will never be safe.
106
00:17:01,020 --> 00:17:07,593
I know. But, who can we go to?
The police?
107
00:17:07,593 --> 00:17:09,561
They won't protect us.
108
00:17:09,561 --> 00:17:13,088
The government...
all they do is steal.
109
00:17:14,466 --> 00:17:17,060
The newspaper El Sol.
We should go there.
110
00:17:18,103 --> 00:17:21,038
Alfonso Diaz can help us.
111
00:17:23,642 --> 00:17:25,576
Hold on. Wait up!
112
00:17:26,512 --> 00:17:28,814
You can't come here for six years
and expect me to help you.
113
00:17:28,814 --> 00:17:31,517
- You're happy to see me, I can tell.
- Yeah, sure.
114
00:17:31,517 --> 00:17:35,044
I need an inside contact, someone
who knows this world the way you do.
115
00:17:35,621 --> 00:17:38,857
My God, what happened here?
What are these, bullet holes?
116
00:17:38,857 --> 00:17:41,451
The price for telling the truth
in Juarez.
117
00:17:41,927 --> 00:17:43,595
You are a great
investigative reporter.
118
00:17:43,595 --> 00:17:45,964
One of the best when we
worked together in El Paso.
119
00:17:45,964 --> 00:17:48,933
- What are you doing in this place?
- Alfonso!
120
00:17:50,669 --> 00:17:53,739
They're saying the devil took a girl
to hell and she escaped.
121
00:17:53,739 --> 00:17:55,607
The rumors are flying.
122
00:17:55,607 --> 00:17:57,042
- This is getting crazy.
- What?
123
00:17:57,042 --> 00:17:59,578
The Indians believe that the devil
himself is doing these murders.
124
00:17:59,578 --> 00:18:00,779
- The devil?
- Yeah.
125
00:18:00,779 --> 00:18:03,582
And they hand us
these reports all the time.
126
00:18:03,582 --> 00:18:05,984
It changes shape every night.
127
00:18:05,984 --> 00:18:09,521
Some nights he's a dandy.
Some nights an old man.
128
00:18:09,521 --> 00:18:12,091
Keeps the women,
takes them to hell.
129
00:18:12,091 --> 00:18:16,494
According to this new report,
some girl escaped from the devil.
130
00:18:16,862 --> 00:18:19,865
Escaped?
Think there's anything to it?
131
00:18:19,865 --> 00:18:24,136
Who knows? There's nothing
but hysteria and rumors.
132
00:18:24,136 --> 00:18:26,572
Women are being used
for snuff films.
133
00:18:26,572 --> 00:18:30,109
People kill women, take their organs.
Serial killers come from everywhere.
134
00:18:30,109 --> 00:18:33,245
You wanna kill a woman
for any reason, you come to Juarez.
135
00:18:33,245 --> 00:18:35,647
Is there any evidence
to support any of these theories?
136
00:18:35,647 --> 00:18:37,816
Of course. There's evidence
to support all of them.
137
00:18:37,816 --> 00:18:40,614
They may all be true.
Lauren...
138
00:18:42,654 --> 00:18:46,225
the number of women killed
is not 375.
139
00:18:46,225 --> 00:18:49,261
It's just a number
the police concord up.
140
00:18:49,261 --> 00:18:52,662
But the real number is
probably closer to 5 thousand.
141
00:18:53,932 --> 00:18:55,263
Five thousand?
142
00:19:03,375 --> 00:19:04,967
Maybe it is the devil.
143
00:19:12,751 --> 00:19:14,275
I brought you something.
144
00:19:18,924 --> 00:19:20,551
Remember this?
145
00:19:21,059 --> 00:19:24,029
What?
We earned this together.
146
00:19:24,029 --> 00:19:25,597
I know.
9、沈从文<边城>，作者写这样一个世外桃源式的乡村社会，有怎样的思想背景？他想寻求怎样的理想社会模式？
刚学完这个课文，呵呵
第一，翠翠对爱情的追求完全是自发的被动的。翠翠对爱情的追求，态度上完全不够积极主动，是一个明显的等待爱情、相信爱情终将会到来的典型代表。她不知道爱情是两快磁铁的物理特性及反映，她天真地认为磁铁和石头之间也可以产生爱情的火花。应理说翠翠是一个对爱情有所感知的，作者在小说一开头就通过以乐景写哀情的方式，衬托翠翠出了翠翠内心的凄凉，或许这正是她情窦初开的表现吧。虎耳草是翠翠情思的象征和寄托，小说中多次提到及说她在梦中见到。表明了翠翠对傩送感情逐渐由蒙胧变得清晰。如果说端午节在河边巧遇傩送那段貌似恼怒的对话，是翠翠钟情傩送的蒙胧爱情的萌发。梦中听到傩送的歌声和采摘虎耳草，便是这种钟情的持续和发展。然而她并没有主动地去争取，也没有积极地去追求，而几乎完全是处于被动消极等候的状态。“翠翠在风日里长养着，把皮肤变得黑黑的，触目为青山绿水，一对眸子清明如水晶。自然既长养她且教育她，为人天真活泼，处处俨然如一只小兽物。”翠翠出生于湘西大自然，成长于湘西大自然，或许正是湘西大自然和她密切的关系，才铸就了她的一切都顺乎自然的性格，或许也正是这种一切顺乎自然的性格才从根本上决定了她对爱情态度，也从根本上决定了她即将面临的是爱情悲剧的结局。
第二，翠翠依赖性过重，独立性不够。翠翠的这种特征与她的年龄是分不开的，翠翠是一个美少女形象，更甚至可以说是个可爱的小女孩，没有太多的人生经历和生活阅历。因此她完全没有摆脱亲人的呵护照料，完全处在亲人的保护伞之下。一天到晚，或许是在爷爷的左边，或许在爷爷的走边，偶尔之余才去河边摆摆渡。她没有真正的离开过自己的亲人。最远的最独立的时候莫过于端午节在河边巧遇傩送那天，但是时间又何其之短，而且还有爷爷千叮万嘱，还加上有人暗中保护，可以说她没有独立的时机。生活中的一切都由她的爷爷早就打点好了，她只须照着她爷爷的步子走就行了，她只须过着饭来张口衣来伸手的日子就可以了。或许正是这种她的一切都由她的爷爷包办的生活习惯让她产生了一种错误的惯性思维----她的爱情婚姻也应该由她的爷爷来为她安排，她只管坐享其成就行了。她根本就不知道爱情是自己的事，幸福要靠自己来谋取这个道理。她还在悠哉乐哉地做着等她的爷爷来为她设计未来的幸福美满的家庭的梦，直到大老丧身二老离她而去她才略有所醒悟。当然美少女她更不懂“过了这个村就没有这家店”、“年年岁岁花相似，岁岁年年人不同”这样的道理。当然这种特征也因为她心理机智的不成熟，从小就在她爷爷的保护伞下生活，没有吃过苦，没有受过难，没有受到磨练，自然就没有多大的心理进步，因此成熟至晚。
第三，翠翠是一个美少女形象，还没有成熟。翠翠是一块没有半点瑕疵的翡翠，显得非常的纯洁可爱。正因为她纯洁可爱的特点，才会在人们心中树立起了一种美好的形象，恰恰也正是这种留在人们心中的美好的印象才营造出了她能够张扬个性的氛围，反过来又纵容了翠翠任性、撒娇、嗲声嗲气的性格。这个在小说中多有体现。比如，
“那人问：
‘是谁？’
‘是翠翠！’
‘翠翠又是谁？’
‘是碧溪岨撑渡船的孙女。’
‘你在这儿做什么？’
‘我等我爷爷。我等他来好回家去。’
‘等他来他可不会来，你爷爷一定到城里军营里喝了酒，醉倒后被人抬回去了！’
‘他不会。他答应来，他就一定会来的。’
‘这里等也不成。到我家里去，到那边点了灯的楼上去，等爷爷来找你好不好？’
翠翠误会邀他进屋里去那个人的好意，正记着水手说的妇人丑事，她以为那男
子就是要她上有女人唱歌的楼上去，本来从不骂人，这时正因等候祖父太久了，心
中焦急得很，听人要她上去，以为欺侮了她，就轻轻的说：
‘你个悖时砍脑壳的！’
话虽轻轻的，那男的却听得出，且从声音上听得出翠翠年纪，便带笑说：“怎 么，你骂人！你不愿意上去，要呆在这儿，回头水里大鱼来咬了你，可不要叫喊！”
翠翠说：‘鱼咬了我也不管你的事。’
那黄狗好象明白翠翠被人欺侮了，又汪汪的吠起来。那男子把手中白鸭举起，
向黄狗吓了一下，便走上河街去了。黄狗为了自己被欺侮还想追过去，翠翠便喊：
‘狗，狗，你叫人也看人叫！”翠翠意思仿佛只在问给狗“那轻薄男子还不值得叫”，
但男子听去的却是另外一种好意，男的以为是她要狗莫向好人叫，放肆的笑着，不
见了。’”
祖父望着翠翠干笑着，“翠翠，大鱼咬你，大鱼咬你。”
翠翠因为对于这件事心中有了个数目， 便仍然装着全不明白， 只询问祖父，
“爷爷，谁个人得到那个碾坊？”
“岳云二老！”祖父说了又自言自语的说，“有人羡慕二老得到碾坊，也有人
羡慕碾坊得到二老！”
“谁羡慕呢，爷爷？”
“我羡慕。”祖父说着便又笑了。
翠翠说：“爷爷，你喝醉了。”
“可是二老还称赞你长得美呢。”
翠翠说：“爷爷，你醉疯了。”
当然这种任性，是由于内心的种种“纯洁”和尚未成熟的特点而在口头上流露出来，也是自然而然的。正是这种说话方式反倒证明了她的纯真。
第四，周边人的影响，周边人都很喜欢翠翠，都乐于帮助她。翠翠是一个招人喜欢的姑娘，心底善良，乐于助人，为人大方。这样的特点造就了大批喜欢关心呵护她的民众，使得她有了一个良好的人际环境。然而正是这些“周边人”反倒纵容了翠翠，让翠翠的一些本性找到了生长的温床，并促进了她爱情悲剧的发生。然而恰恰是这种人际关系促使翠翠的性格缺点变成了一种惰性，因为她这样的一个女孩就没有自立的必要，同时也没有独立的条件。因为她的一切都由她的周边人已经完全打点好了，他只管顺其自然地过着一种顺势的被动的生活就可以了。“五月端阳，渡船头祖父找人作了代替，便带了黄狗同翠翠进城，过大河边去看划船。”“于是祖父想了半天，方想起一个住在城中的老熟人，赶夜里到城里去商量，请那老人来看一天渡船，自己却陪翠翠进城玩一天。”是她爷爷的精心呵护。“又过了一阵，有人从河街拿了一个废缆做成的火炬，喊叫着翠翠的名字来找寻她，到身边时翠翠却不认识那个人。那人说：老船夫回到家中，不能来接她，故搭了过渡人口信来，问翠翠要她即刻就回去。翠翠听说是祖父派来的，就同那人一起回家，让打火把的在前引路，黄狗时前时后，一同沿了城墙向渡口走去。翠翠一面走一面问那拿火把的人，是谁问他就知道她在河边。那人说是二老问他的，他是二老家里的伙计，送翠翠回家后还得回转河街。”是湘西民众的关爱照顾。另者，翠翠作为一个美少女，她根本没有自立的意识，根本没有自立的动力。因为翠翠还是一位十三四岁的小少女，不懂什么市自立的生活，没有意识到自立的重要性，都是情理之中的事。兴许正因为周边的环境太好了，对她的成长太舒适有利了，才让翠翠不懂自立是怎么回事，没有必要自立，没有自立意识。
或许生活就是如此，总是不能够尽善尽美。每个人有感情，也同样有责任心，当感性与理性相冲突时，矛盾随之而来，悲剧不可避免。恰如作者谈及小说的创作动机：“我要表现的本是一种‘人生的形式’，一种‘优美、健康而又不悖乎人性的人生形式’。”不悖乎人性的人生就注定会留下些许遗憾，然而也正是这些遗憾，令我们震撼人性的伟大与光辉。边城小镇由此深入人心，不为它的幸福生活，而在于那里上演了一幕感人至深、催人泪下的美丽爱情悲剧。
维纳斯的美在于她的缺憾，边城的美在于它的悲戚。这才是生活，也才是真正的太平与宁静。